THE BASIC PRINCIPLES OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They will often be yearning romantics, with this distinction: Buster would seem a plausible mate, as well as the Tramp barely seems to have a libido, only idealized notions. If their comedies had been produced in a more liberated time, it can be done to assume Keaton in bed with a woman, but disquieting to consider the Tramp like a sexual becoming.